Rif: 238967

ALVARADO LANG, Carlos (La Piedad de Cabadas, Michoacán, 1905 - Città del Messico, 1961)30 Estampas Populares

Città del Messico,  Instituto Nal. de Bellas Artes 1947 - Prima edizione di 250 esemplari numerati (First edition of 250 numbered copies)

Prologue by Carlos Alvarado Lang (Mexico, November 1947). 30 original etchings by unknown Mexican artists, whose plates come partly from private collections such as that of Mr. Romero de Terreros, and hand-printed by Carlos Alvarado Lang, Gonzalo de la Paz Perez and Susana Neve de Frias

Copy No. 157

Cm 29,5x22,5,  pp. 8 + 30 incisioni Fogli sciolti in cartelletta (loose as issued in original portfolio) Cartelletta sciupata con fioriture lungo i bordi (Some light yellowing at the edges of the folder) Molto buono (Very Good)

Carlos Alvarado Lang born in La Piedad Cabadas, Michoacán, in January 14, 1905. Mexican printmaker. His skill as a printmaker became apparent at an early age when he was employed as an assistant metal-engraver by Francisco Díaz de León at the Academia de San Carlos in Mexico City. In 1929 he succeeded his teacher Emilio Valadés as professor of printmaking and subsequently became Director of the Escuela Nacional de Artes Plásticas and of the Escuela Nacional de Pintura y Escultura La Esmeralda, both in Mexico City. He was influential both as a teacher and for his virtuoso handling of traditional printmaking techniques, including line-engraving, drypoint, aquatint, mezzotint, wood-engraving and linocut. His prints, mainly of Mexican landscapes, combine technical skill with affective expressiveness. He experimented constantly with methods of improving procedures, especially with mezzotint, with the modification of printing presses and with the introduction of new acids. Alvarado Lang also did much to popularize 19th-century Mexican prints as a collector and writer. He died in Mexico City in September 3, 1961.

"To seek a literary justification for a monograph on folk art would be, for any judicious and reasonable person, truly absurd. The evidence of the work carried out by several generations fully justifies this edition and, if there is anything new in it, it is nothing more than the display of each of these prints made using engraving tools carved on copper or wood plates. For this reason, we have contented ourselves with creating a collection of the most varied relief and engraved prints from the 18th and 19th centuries." (from the prologue).

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