Rif: 119264
MICCINI, Eugenio (Firenze, 1925 - Firenze, 2007)NO all'abrogazione della legge sul divorzio. Difendiamo la nostra libertà !
Taranto, Punto Zero Arte/centro Documentazione 1974
Original poster for the document exhibition promoted in Taranto by the Punto Zero centre, Università Popolare Jonica, Club Europa, Circolo Gramsci, Galleria A&A. Project for a manifesto 'No to the abolition of divorce' by Italian artists: Algardi, Amato, Anniballo, Bentivoglio, Bittoni, Bugli, Buschino, Caricato, Carmi, Colombo, Consolazione, D'Angelo, Del Piano, Delle Foglie, Ferracane, Fidolini, Fiorentino, Galbiati, Gerli, Giusto, Guarneri, Guerricchio, Greco, Grillandi, Intonti, Lora-Totino, Luoratoll, Marcucci, Miccini, Mariani, Migliacci, Morelli, Niccolai, Noia, Nuzzolese, Oberto, Ori, Osti, Pagallo, Perfetti, Perrini, Pignotti, Presta, Rosso, Rotta-Loria, Russo, Sandri, Scalise, Santarella, Scaringi, Silvestri, Sottile, Spatola, Verdi and Zena. Illustration specially created for the poster by Eugenio Miccini
Poster cm 100x70 Molto buono (Very Good)The Taranto exhibition 'No to the Abrogation of the Divorce Law', thanks to the contribution of artists and intellectuals hired by the Punto Zero cooperative in Taranto, succeeded in giving voice to a demand for social reform and change. Miccini, Pignotti, Spatola, Marcucci, Lora Totino, Ori, Anna and Martino Oberto, Restany and many other protagonists of national and European visual poetry took part in the initiative, curated by Vittorio Del Piano by producing posters in support of the opposition to the repeal of the divorce law. It is Vittorio Del Piano himself who explains the meaning of the operation in the text reproduced in the catalogue, distributed in a limited edition by the publisher Lacaita di Manduria, containing postcard reproductions of the posters sent by the various artists involved in the project:
"The Italian artists, with their graphic works, all original, give a precise sense and function to the exhibition "No to the Abolition of Divorce", which also poses itself as a hypothesis of 'space', where and how to define a possible syntax of social relations and therefore of the unequivocal social function of art. The artists, the intellectuals who represent, as such, the highest degree of a people's consciousness, together with so many others socially engaged, are with this document exhibition and with their projects for a manifesto, a precise reference, for those who have not yet been able to mature the whole issue.
(from the Doctoral Thesis “Una forma di lotta”: ideologia e coscienza politica della poesia visiva in Italia, 1963 - 1977, by Michele Brescia).
€200